Songdio

菜单

Create

Music

Library

  1. Home
  2. 阪急電車で京都河原町へ
阪急電車で京都河原町へ

阪急電車で京都河原町へ

Modern enka ballad with rich strings, gentle shamisen colors, and a restrained brass section. Tempo starts slow with spacious piano, then swells into a heartfelt chorus. Male vocals up front, with subtle backing harmonies on the hook and a key-change lift near the final chorus for emotional impact.

2025-12-24 03:26

Lyrics

[Verse 1] 切符ひとつを 握りしめたまま 朝のホームで 息をひそめる 発車のベルが 胸の奥さす 阪急電車が 今日も動き出す [Chorus] 阪急電車で 京都河原町へ あの人待つ 四条の角まで 言えずにいた さよならを抱いて 紫のライン 窓を流れてく [Verse 2] 桂のあたりで ふいに思い出す 肩にもたれて 眠った帰り道 嵐山からの 土産の紙袋 いまは空っぽ 心とよく似てる [Chorus] [Bridge] 烏丸すぎて 景色が変わる 胸の決心 まだ揺れている もしもあの笑顔 もう一度見たら 責める言葉が 涙に変わるだけ [Chorus]

Recommended

Сліди у попелі
Сліди у попелі

metal,rock

陰毛なのか陰謀なのか
陰毛なのか陰謀なのか

funk, Laid-back roots reggae groove fused with tight 70s funk bass and wah guitar. Midtempo swing, offbeat skank guitar, warm organ chops, horn stabs on turnarounds. Male vocals with playful, half-spoken delivery; call-and-response group shouts in the hook. Thick, round bass anchors the verses, chorus widens with stacked harmonies and a loose, communal chant energy., reggae

てぃあら
てぃあら

d&b,rock,pop,ハッピー

あの日のサヨナラは嘘じゃない
あの日のサヨナラは嘘じゃない

female vocals,pop,rock,d&b,electric guitar,j-pop,synthwave,taiko,物憂げ,夢見る,憂鬱,感情,97bpm

さんてん/PopcornTarou/なう
さんてん/PopcornTarou/なう

male vocals,pop,ハッピー,100bpm

First Day, Big Sky
First Day, Big Sky

Bright pop-rock with male vocals; clean strummed guitars over a steady, confident groove, bass locked in with a tight kick and crisp snare. Verses stay intimate and close-mic’d; pre-chorus adds palm-muted guitars and rising synth pad; chorus explodes with doubled vocals, wide gang shouts, and open chords. Bridge strips back to drums and bass, then final chorus hits tallest with harmonies and a soaring lead line., motivational

問世堅情為何物
問世堅情為何物

Taiwanese pop-rock ballad, male vocals; mid-tempo band groove with driving snare and warm bass, verses built on jangly guitars and subtle organ pads, chorus explodes with big open chords and stacked harmonies; bridge strips back to vocal and toms then surges into a final, shout-along hook

Банчити дивлюся
Банчити дивлюся

Dark Ukrainian trap banger, male vocals. Murky detuned bells over a menacing half-time beat, sub-heavy low end and skittering hats. Verses stay tight and aggressive with dry vocal up-front; hook widens with distorted doubles, whispered ad-libs, and eerie choir pads creeping in. Final chorus adds octave-stack vocals and saturated bass for a crushing, anthemic close.

仙桃怎麼那麼好吃
仙桃怎麼那麼好吃

靈性

Groovy Rhythms That Make You Move
Groovy Rhythms That Make You Move

Pop

夏の終わりのメロディ
夏の終わりのメロディ

hip hop,southern hip hop,d&b,guitar,piano,j-pop,synthwave,electronic,物憂げ,憂鬱,感情

Омега Тиск
Омега Тиск

Ukrainian trap with grim half-time bounce and sharp staccato drums; intro starts whispered with long reverb tails, verse rides dry and clipped with hard double-tracked punches, pre-chorus tightens into rising vocal stacks, chorus lands as a shouted chant with gang doubles and delay throws on the anchor word. Sub drops on transitions, reversed swells into the hook, sparse metallic ticks in the verse, wide and icy mix with close-mic lead

仕事ファイト
仕事ファイト

Warm, nostalgic J‑pop ballad with female vocals; gentle piano and brushed drums at first, then strings and bass slowly rise in the chorus. Verses stay intimate and close‑miked, chorus opens with wide reverb and stacked harmonies. Subtle electric guitar arpeggios add grit in the bridge, final chorus lifts a half‑step for a cathartic push before a soft piano outro., female vocals

يا غايب قريب
يا غايب قريب

folk

関係ない
関係ない

rap

Crystal Mirage
Crystal Mirage

fusion,funk,piano,jazz,物憂げ,憂鬱

夜明けのビート
夜明けのビート

relentless pulse, electric bass-driven, edm, layered synths, high-energy

どーでもいいけど!知らんけど!!
どーでもいいけど!知らんけど!!

folk, rock (folk rock), enka

Забытая любовь
Забытая любовь

key am, melancholic male vocals, darbuka, tempo 60–70 bpm, male vocals, ney, turkish arabesque, bağlama

セントラル・リーグ ナイト
セントラル・リーグ ナイト

High-energy Japanese techno anthem, male vocals; tight sidechained synth bass and sharp four-on-the-floor kick, with chopped crowd chants as rhythmic texture. Verses ride a minimalist arpeggio and filtered pads, then choruses explode with bright supersaw leads and stadium claps. Brief mid-song break with vocoder crowd call-and-response before a final, peak-time chorus., techno