Adalet Mülkü

Turkish rap, rap ballad, cinematic orchestral

2026-06-20 12:05

Lyrics

[Verse 1] Yıllar yılı sırtımda taşıdım bu yükü Gözümden akan yaşlar ömrümün bükü Suçsuz yere yandım da sustu her nefes Kırıldı içimde bin kere aynı heves Benim adım geçmedi hiçbir doğru yerde Düştüm ama kalktım, yerden yere Bir gün gelir sandım, çıkar diye gün yüzü Geç kaldı hep sevinç, erken bitti sözü [Chorus] Adalet, nerdesin, söyle Adalet, beni duy böyle Suçsuz yandım, hâlim bu Adalet mülkü, nerdesin şimdi Adalet, nerdesin, söyle Adalet, beni duy böyle Yaralarım açık hâlâ Adalet mülkü, dön bana [Verse 2] Bir taş gibi kaldı yüreğim avuçta Dost sandıklarım dağıldı bir avuçta Geceler uzun, sabahlar hep yabancı İsmim anılınca çoğalır o sancı Susmak da ağırdı, konuşmak da ceza Benim payıma düşen hep aynı rıza Yüzüme bakmayan kalabalık arasında Bir tek vicdan kaldı içimin arasında [Bridge] Birden yükseldi yaylar, titredi oda Nefesim düğümlendi, sardı beni yara Eğer duyuyorsan, geç de olsa dön Bir ömür bekledim, artık beni görün [Chorus] Adalet, nerdesin, söyle Adalet, beni duy böyle Suçsuz yandım, hâlim bu Adalet mülkü, nerdesin şimdi Adalet, nerdesin, söyle Adalet, beni duy böyle Yaralarım açık hâlâ Adalet mülkü, dön bana

Japanese pop-rock with fast driving tempo, syncopated slap bass, sharp violin riffs, and punchy live drums; verse rides tight bass-and-drum groove with violin stabs, pre-chorus climbs through key changes and rising fills, chorus opens wide with stacked unison vocal hooks and doubled violin melody. Vocal is cool female lead with edgy doubles, short shouted ad-libs on the hook, and a few delayed tail throws. Ear candy: quick modulating turnarounds, bowed violin gliss climbs, drum break lifts into each chorus. Bright, aggressive, glossy mix with a fierce live-band edge.

阪急宝塚線で、宝塚へ

Playful Japanese jazz-pop duet with male/female call-and-response, upright bass walking under brushed drums and soft piano comping. Verses stay intimate and conversational; choruses bloom with close-voice harmonies, light horns, and finger snaps. Mid-song breakdown strips to bass, snaps, and scatted ad-libs before a final bright, swinging chorus. Male and female vocals.

恩恩恩恩ye

rap, Dark ambient soul-rap hybrid with female vocals; whispered ad-libs and breathy harmonies over detuned pads, distant choirs, and saturated sub-bass. Verses ride a slow, swung groove with crisp, tight drums and grainy textures; chorus blooms into lush reverb tails, pitched vocal layers, and a wide stereo field. Occasional glitchy echoes and reversed swells add a dreamy, magical edge while the topline stays raw, confessional, and intimate in the center of the mix., female vocals, ambient, soul

このチームでよかった

piano,喜び,イメージは前半は青春・疾走感 → 2番で苦しさ → ラスサビで一気に感動 → 最後は静かに終わる。 🎵 曲の構成イメージイントロ * 体育館の音、ボールを打つ音から始まる * ピアノ＋少しずつ楽器が入る * 最初は明るすぎず、少し懐かしい感じ Aメロ入部したばかりの　あの日の私たちは何も分からなくて　ただボールを追いかけた → 優しく、少し語りかけるように。 Bメロきつい練習も　長い一日も隣で頑張る仲間がいたから「もう少しだけ」って　前を向けた → ドラムやギターが少しずつ強くなる。 🔥 1回目のサビ何度転んでも　何度負けても私たちはまた　立ち上がった笑った日も　泣いた日も全部が今日につながってるここはみんなで歌ってる感じ！ ⸻ 🏐 2番は「苦難」を強める試合で負けたこと、レギュラーになれなかった悔しさ、練習がきつかったこと、仲間とぶつかったこと…… 思うようにいかなくて悔しくて眠れない夜もあった「なんで私なんだろう」って自分が嫌になった日もあったそれでも次の日にはまた体育館に集まって同じボールを追いかけて一緒に笑っていたここで一回、曲を静かにする。 ⸻ 🌟 ラスサビそして最後に一気に盛り上げる。何度転んでも　何度負けても私たちはここまで来たんだ笑った日も　泣いた日も一つも無駄じゃなかった最後の笛が　鳴り響いてこのコートを離れるとき寂しくて涙が出るけど胸を張って　「ありがとう」ここで** 写真や動画を3年間の順番で流す**とめちゃくちゃ合う。 ⸻ 🥹 最後の30秒楽器が全部なくなって、ピアノだけ。みんなの写真をゆっくり流しながら、 3年間、ありがとう。一緒に笑ってくれてありがとう。一緒に泣いてくれてありがとう。この仲間だったから、私たちは最後まで頑張れた。少し間を空けて、「このチームでよかった。」最後に体育館のボールが床に「ドン」とつく音。そして無音。これ、引退ムービーで流したらかなり泣けるタイプ😭🏐

mon fils

male vocals,rap,Émotion

جەژن و نەورۆز بێت

hard rock,opera metal

ファンキーソング

حَيّ مَقْنَاصٍ

شيله

Extravíos de la felicidad

pop,guitar,violin,Feliz,Motivador

心友

male vocals,hip hop,切ない、別れ

نور وعلي

Slow romantic Arabic pop ballad with female vocals and intimate piano-led arrangement; verse stays sparse with soft arpeggios and breathy close-mic delivery, pre-chorus lifts with warm string pad and gentle counter-melody, chorus opens wider with layered harmonies and repeated hook chants. Add delicate reverse piano swells, subtle room reverb tails, and a soft lift into the final chorus. Warm, tender, cinematic mix with a glossy emotional sheen.