Songdio

菜单

Create

Music

Library

  1. Home
  2. Malhão do Minho
Malhão do Minho

Malhão do Minho

2026-06-08 21:14

Lyrics

(Refrão) Ó malhão, malhão, Ó malhão do Minho, Canta a concertina, Bebe-se o bom vinho! Ó malhão, malhão, Ó malhão da moda, Toda a gente dança, Toda a gente roda! (Verso 1) Roda a saia a rapariga, O rapaz bate as palmas, Esta alegre cantiga Abençoa as nossas almas! Vem a noite, vem o dia, Ninguém quer ir descansar, Nesta festa de alegria O segredo é dançar! (Refrão) Ó malhão, malhão, Ó malhão do Minho, Canta a concertina, Bebe-se o bom vinho! Ó malhão, malhão, Ó malhão da moda, Toda a gente dança, Toda a gente roda! (Verso 2) Bate o pé com energia, Olha o par que te tocou, O bailarico da vila Toda a gente conquistou! Sobe o som da concertina, Canta o povo com paixão, Esta terra pequenina Tem um grande coração! (Refrão) Ó malhão, malhão, Ó malhão do Minho, Canta a concertina, Bebe-se o bom vinho! Ó malhão, malhão, Ó malhão da moda, Toda a gente dança, Toda a gente roda! (Final) E vira, e vira, e volta a virar! Até o baile terminar!

Recommended

Hayalet Şehirde
Hayalet Şehirde

Gloomy alt-pop ballad with male vocals; sparse piano and distant reverb-soaked guitar at first, then a low, pulsing bass and tight electronic drums enter on the first chorus. Verses stay intimate and whispered; choruses bloom into wide, echoing harmonies. Subtle synth pads swell like fog between sections, bridge strips back to near a cappella before the final, haunting hook.

涙の先へ
涙の先へ

Japanese piano ballad with female vocals, slow 68 BPM, gentle swung 8ths and spacious rubato phrasing; verse rides lonely piano arpeggios, pre-chorus opens with rising string pad and light kick, chorus blooms with stacked harmony and sustained chords. Breathy close-mic lead, octave doubles on the hook, soft ad-libs in parentheses, delay throws on final words. Ear candy: reverse piano swells into each chorus, a bell-like top note at line ends, and a widened final chorus lift. Mix is intimate, warm, and cinematic with a glossy emotional sheen., female vocals

Грім-Степовий Залп
Грім-Степовий Залп

male vocals,rap,hip hop,metal,punk,dub,guitar,country,electronic

Léger comme ça
Léger comme ça

female vocals,guitar,piano,indie,Doux

Rise Again
Rise Again

African Gospel Rock anthem with driving mid-tempo groove, hand percussion and stomping acoustic guitar in the verses; pre-chorus strips to voice, toms, and rising claps; chorus opens wide with electric guitars, choir stacks, and big call-and-response shouts. Lead vocal stays intimate then gritty and soaring, with gang chants, delay throws, and a blazing final lift. Bright, punchy, worshipful mix with room and lift., rock, african percussion, acoustic, soft, vocal, african gospel, light

双葉の願い結婚式ソングっぽい
双葉の願い結婚式ソングっぽい

元カノと今カノのブルーハート
元カノと今カノのブルーハート

Midtempo J‑pop ballad with K‑R&B flavor, light trap drums and warm side‑chained synths. Verses alternate male/female vocals in an intimate, close-mic tone; pre-chorus adds soft piano and rising pads. Chorus hits wide with stacked harmonies, subtle call‑and‑response, and a pulsing bass line. Final hook strips back to just piano and intertwined vocals for a bittersweet fade.

Дверцята в серце
Дверцята в серце

country, classical, emotional lyrical

ありがとうとごめんね
ありがとうとごめんね

female vocals, emotional, ballad, melodic

ወይ ወላይታ
ወይ ወላይታ

afrobeat,Party,Lyrical,Joyful,Uplifting

Girl Power: Spice Up Your Life
Girl Power: Spice Up Your Life

硝子の迷宮
硝子の迷宮

物憂げ,熱狂,憂鬱

E a novinha da zm
E a novinha da zm

Brazilian funk with dembow-locked percussion, bounced caixa patterns, and a deep sub pulse; verse rides sparse handclaps and punchy bass, pre-chorus strips to chant and risers, chorus drops with crowd shouts and doubled lead. Ad-lib echoes in parentheses, quick turnarounds, siren swells into each hook, crisp and glossy mix with heavy low-end impact.

ためきち今日もありがとう
ためきち今日もありがとう

元気,ロマンチック,感情,叙情的

Северное небо Ирины
Северное небо Ирины

Мотивирующий,Воодушевляющий,Мечтательный

أصلي يماني
أصلي يماني

君への想い贈る
君への想い贈る

ロマンチック

雨の打鍵
雨の打鍵

Alternative J-rap with a moody half-time swing, dusty drum loops, muted bass pulses, and tense piano stabs; verse rides sparse kicks and clipped hi-hats, pre-chorus thins to low bass and breathy doubles, chorus lands with stacked rap-sung unisons and a short chant hook. Add reverse swells into each section, vinyl crackle between lines, and a sudden filtered stop before the final hook. Intimate close-mic vocal, dry and sharp in the verses, wider doubled hooks, dark punchy mix., rap

Деньги Есть Всегда
Деньги Есть Всегда

female vocals,lo-fi,soul,techno,ambient

احمد سويد منتصر
احمد سويد منتصر

hip hop