Songdio

菜单

Create

Music

Library

  1. Home
  2. プリウスミサイルに気をつけろ
プリウスミサイルに気をつけろ

プリウスミサイルに気をつけろ

Fast punk-rock band feel, distorted power chords and busy live drums. Male vocals half-shouted, gang shouts on the hook. Gritty bass driving the verses; chorus opens wider with octave guitars and simple, slam-along melody. Short feedback break before final hook, raw and energetic mix.

2026-01-09 19:00

Lyrics

[Verse 1] 細い路地 スマホ見ながら歩く夕方 角を曲がる 静かな屋根の銀の影 クラクションより 早く心臓が跳ねるほど ブレーキランプ 一瞬だけで消えた [Chorus] プリウスミサイルに気をつけろ どこからでも飛んでくるぞ 静かすぎる夜の音 油断したら そこが戦場 プリウスミサイルに気をつけろ [Verse 2] 横断歩道 青になっても踏み出せない 「大丈夫だろ?」 その一歩がギャンブルみたいだ 後ろも見ろ 前も見ろって誰が言ったっけ 今日の敵は エンジン音しないんだ [Chorus] [Bridge] 信号待ちで ため息まじりに空見上げて 「明日もちゃんと 家に帰れますように」って [Chorus]

Recommended

悪夢の再現
悪夢の再現

dark, hip-hop, aggressive beats with a raw edge

Бабушка наша
Бабушка наша

cinematic,film music

帰れない川
帰れない川

rap, Traditional enka orchestra with shinobue and rich strings under a swung hip‑hop groove; taiko-like drums and upright bass lock the pocket while a koto loop anchors the beat. Verses alternate melodic enka phrasing and tight Japanese rap, female vocals with a hint of vibrato. Chorus blooms with stacked harmonies and long sustained notes, then drops back to sparse percussion and shamisen chops for the rap parts., female vocals

棺の中で踊れ
棺の中で踊れ

rock, Fast, grimy punk band in a dark club: fuzzed-out guitars, overdriven bass, relentless drums, and raw female vocals on the edge of a scream. Verses spit tight, sneered lines; chorus explodes with gang shouts and octave double-tracked leads. Brief feedback squeals and pick slides between sections, everything drenched in a gloomy, reverb-dusted vocal room. Energy stays high, last chorus pushed harder with shouted backing vocals and a final choke ending., punk, female vocals

نخطّطها عنّك
نخطّطها عنّك

Bouncy Levantine pop with dabke-flavored percussion and bright synth hooks; male vocals leaning conversational in the verses, big group-sing chorus with claps and subtle backing “hey”s. Intro starts sparse with a buzzy synth pad and light kick, then the chorus opens wide with layered gang vocals and airy plucks, final repeat adds a higher harmony and ad-lib run for a festival-ready lift.

ぴいちゃんのおひるね
ぴいちゃんのおひるね

female vocals,70bpm

透明な鼓動
透明な鼓動

female vocals,20bpm

Dead Man’s Horizon
Dead Man’s Horizon

male and female duet,orchestral,cinematic,medieval,ダーク,情熱的

双葉の願い結婚式ソングっぽい
双葉の願い結婚式ソングっぽい

일요일의 산책
일요일의 산책

rock,soul,Passionate

Crimson Sky
Crimson Sky

male vocals,hard rock,150bpm

Осенний берёзовый дым
Осенний берёзовый дым

Russian folk-pop ballad with a slow swaying pulse, acoustic guitar and soft bayan accents; verse stays intimate with sparse plucked strings, pre-chorus opens into harmonized phrases, chorus lands warm and singable with layered male-female doubles and a tender group response. Add a brief bowed-string swell, breathy pickup, and a final lift. Mix is warm, close-mic, and autumn-dusty.

When I'm Gone
When I'm Gone

lo-fi beats with a boom bap rhythm, sad, heavy on piano loops and vinyl crackle for a nostalgic feel, soft yet gritty instrumentation, melancholic, hip-hop

Саня Матрас
Саня Матрас

and electronic textures for a vibrant, groove-heavy basslines, reggae and dubstep fusion, uplifting vibe, syncopated rhythms

墨染江山詩酒會。無敵小抓出品
墨染江山詩酒會。無敵小抓出品

Свадебный привет Кириллу и Асе
Свадебный привет Кириллу и Асе

celebratory with playful guitar strumming and rhythmic handclaps, acoustic

Schwerin Neunziger
Schwerin Neunziger

rap,Hart,Depressiv

ありふれた奇跡
ありふれた奇跡

rock,ambient,d&b,synthwave,breakbeat,熱狂,20bpm

砂糖菓子の夢
砂糖菓子の夢

female vocals,気まぐれ,憂鬱,精神的

桜の舞う頃に
桜の舞う頃に

acoustic with female vocals, heartfelt, folk-inspired, female vocals