Songdio

菜单

Create

Music

Library

  1. Home
  2. ごめんとありがとう
ごめんとありがとう

ごめんとありがとう

male vocals,folk rock,indie rock,guitar,rock,感情,ロマンチック,夢見る,物憂げ,自信

2025-10-20 13:33

Lyrics

あの日あの時から始まった 僕の人生が、まるで動き始めたかのようで モノクロな僕の毎日に 君の笑顔が彩りを与えてくれたんだ ⁡ 懐かしいあのライブハウス あそこで初めて出逢ったはずなのに、なぜか懐かしく感じて、まるで久しぶりに会ったかのように、すぐにうちとけて二人とも笑っていたよね、やっぱりあれって運命的な出逢いだったんだよね あの日あの時から始まった 二人の物語が、クランクインしたんだ 別れ際に勇気を出して告ったあの時 帰り道にバイクで走りながら 人生最高の日に全力で歌ったhappy song… who Wow, I did it あの頃は「楽しい嬉しい」 それだけあればと心に強く信じて、握りしめていたんだ いつも笑っている君の隣には僕が居て、 嬉しそうな顔が見たくって、だけど時々見せる淋しそうな顔…uhuhuh〜 あの日、君は笑顔が可愛くて あの日の僕はすごく楽しくて 今でも忘れないあの日の二人 Ahah〜あの時の君は眩しくて Ahah〜あの一瞬で気付いたんだ君に恋している僕に… I am grateful for the miracle that I met you that day; I was truly lucky. あの日あの時から始まった 積み上げられた memory Life あの時から過ぎていく季節を共に繰り返し 共に過ごした時間や出来事でさえも、 お互い感じて思ったこともそれぞれあって、自分の中でもひとつじゃなくて、 思う気持ちって一つじゃないんだよね… 光に照らされた 嬉しい楽しかった記憶たちも大切な思い出だけど、その時その一瞬によぎった「違和感たち」も迷子のままだと、消えないネガティブな思いに変わってしまう、置いてけぼりの思いたちにも光を照らせば、気付いて救われる感情… 「気付いてあげれなくてごめんね」の抱きしめたい泪… uhruuhruruuh〜 まじわらなかったあの時、傷ついて傷つけて 結局どちらも哀しくて、余裕のない若い自分に早く伝えたかった、「いつも他人事ではなく自分事として寄り添え」ってね 救われた思いに寄り添えば自然に繋ぐ手の温もり あの頃の君はいつも人の事ばかりで あの頃の僕は自分のことで精一杯で 頑張ってるが空回りしていたあの頃 Ahah〜あの頃の君はいつも信じて支えてくれて Ahah〜あの頃に戻って君を抱きしめたい From now on, I want to be close to you and support you. Because you are truly important to me. あの頃の僕は頑張っていればポジティブであれば、なんとかなるって強く信じていて どうもならないことや見たくないことから目をそむけ 当たり前の普通のことだって、できないこともあって 頑張ってるから我慢させて 仕方がないからって諦めさせて 守ってほしい時に守れなくて こんなダメダメな僕を、誠実で真面目ってただそれだけを信じて今まで隣に居てくれた君に「ごめんねとありがとう」が混じりあったこの気持ちを伝えたい I want to express my gratitude, a mixture of sorry and thank you, over and 今の君が、一番大切で大好きで 今の僕はすごく満たされていて これからの二人はもっと幸せで Ahah〜あの時の君は眩しくて Ahah〜あの一瞬で気付いたんだ君に恋している僕に… I am grateful for themiracle that I met you that day; I was truly lucky. From now on, I want to be close to you and support you. Because you are truly important to me. I want to express my gratitude, a mixture of sorry and thank you, over and I want to convey this feeling of gratitude, a mixture of sorry and thank you, over and over again, and I hope we will continue to be friends, to my precious, beloved you.

Recommended

頑張ってね
頑張ってね

acoustic guitar and soft percussion with a cinematic build, relaxing, uplifting, dreamy

No Name, Just Us
No Name, Just Us

cinematic,rap,pop,元気,やる気

ラビスタで甘くほどけて
ラビスタで甘くほどけて

Soft, sultry J-pop with a glossy R&B sway; female vocals up-close and breathy over warm pads and lazy drums, bass moving in a slow, teasing groove. Verses stay intimate and whispered, pre-chorus adds airy harmonies and rising synth swells, chorus widens with stacked vocals and a subtly shimmering lead line. Occasional whispered ad-libs and filtered reverb tails keep it sensual yet cute., female vocals

Was Your Smile Ever Mine?
Was Your Smile Ever Mine?

female vocals,rock,blues,j-pop,orchestral,emo,piano ballad,感情,76bpm

心に咲く光
心に咲く光

piano

ستمطر السماء
ستمطر السماء

female vocals,classical,عاطفي,120bpm

私の華
私の華

indie,violin,piano,ロマンチック,感情

Ľubomír láska jediná
Ľubomír láska jediná

female vocals,pop

電光石火
電光石火

rock, metal, layered with d&b-inspired synth basslines for intensity, fast-paced with driving drums and distorted guitars, rock with metal edge

Main d’or
Main d’or

歪んだ愛で傷つけた
歪んだ愛で傷つけた

rap, Dark rap-rock track with male vocals, minor-key guitar loops and moody piano. Sparse, tense drums under the verses that explode into heavy distorted power chords on the chorus. Vocal delivery starts confessional and low, then grows into anguished shouts with layered ad-libs. Occasional atmospheric synth pads and distant backing chants emphasize the mental spiral and emotional weight., male vocals, hip hop, rock

ハッピーハロウィン in 小川町
ハッピーハロウィン in 小川町

blending orchestral strings with pulsing electronic beats, classical, classical meets edm, featuring vibrant dynamics and playful energy, edm

歩きタバコのサラリーマン
歩きタバコのサラリーマン

Mid‑tempo J‑rock with male vocals, crunchy rhythm guitars and steady kick-snare drive. Verses stay tight and talky, almost muttered over a pulsing bassline; choruses leap into anthemic sing-along territory with stacked gang vocals on the hook. Add subtle synth pads in the background for warmth, and a brief, climbing guitar line between sections to lift the energy. Final chorus hits harder with extra octaves and ad‑lib shouts.

赤い鼓動
赤い鼓動

Rock with driving four-on-the-floor drums, palm-muted guitars in the verses, and a wide open chorus that lifts into shouted gang vocals; pre-chorus strips to bass and snare build, then the chorus explodes with stacked harmonies and a jagged lead riff. Add a short drum fill into each chorus, reverse cymbal swells before the drop, and a gritty, bright mix with close-mic male vocals and delay throws on the hook lines., rock

Xhelozi Pa Dritë
Xhelozi Pa Dritë

balkan,darbuka,qawwali,turkish folk

Когда скажу «идём»
Когда скажу «идём»

Indie-folk rock with roomy drums, reverb-soaked guitars, and intimate female vocals. The verses stay restrained with close-mic’d delivery and subtle tremolo picking; pre-chorus leans into tension with rising bass and harmonies. Chorus opens with gritty overdrive, doubled lead, and a driving groove that still feels human and loose, leaving pockets of silence for impact., gentle, steady

Amedê Min
Amedê Min

Yükseltici

Выстрел Вперёд
Выстрел Вперёд

rap, Bouncy modern trap beat with bright synth plucks and thick bass. Confident male vocals, tight pocket on the verses, chanty gang-style hooks. Claps and layered ad-libs lift the chorus; subtle piano top line in the bridge for an emotional lift before the final, hardest hook.

痛みの中で
痛みの中で

female vocals,electronic,pop,k-pop,soukous,emo

Cinco Anos Com Você
Cinco Anos Com Você

Sertanejo pop midtempo with a gentle 6/8 sway and warm acoustic guitar, soft bass, brushed drums, and a lifted chorus with accordion accents; verse stays intimate and close, pre-chorus opens with handclaps and rising harmony, chorus blooms with stacked female vocals and a singable hook; add a violin swell into the last chorus, delay throws on the name, and a bright polished mix with heartfelt radio warmth.