Songdio

菜单

Create

Music

Library

  1. Home
  2. Pflegefall 2
Pflegefall 2

Pflegefall 2

male vocals,hardstyle,170bpm

2026-06-17 21:59

Lyrics

Strophe: Es gibt so zwei in ohme Die versaufen ihre Kohle Ohne wenn und aber Ohne viel gelaber Von Bier bis zu Kümmerling Das ist alles unser Ding Refrain: Ja wir sind wieder da Und sie kommen nicht klar Bierpong gewinnen wir Wozu seid ihr denn hier Strophe: Siehst du uns zwei Da musst du nicht lang denken Du musst uns nur ein Bier einschenken Den pott haben wir schonmal geholt Heute wird es wiederholt Refrain: Ja wir sind wieder da Und sie kommen nicht klar Bierpong gewinnen wir Wozu seid ihr denn hier Strophe: Spürst du das Nikotin wie es durch die Adern fließt Und durch das Nikotin Geht’s und besser wie du siehst Bridge: Erster bierpong Sieger Ja wir schaffen es wieder Es ist Pflegefall Wir treffen jeden Ball Refrain: Ja wir sind wieder da Und sie kommen nicht klar Bierpong gewinnen wir Wozu seid ihr denn hier

Recommended

Tulus Tanpa Pura
Tulus Tanpa Pura

male vocals,blues,heavy metal,symphony,smooth jazz,blues rock

建設と飛行
建設と飛行

ambient, organ; evokes vastness through slow arpeggios, capturing industrial progress and upward exploration, slow rhythm, synth pads

Promessa Quebrada
Promessa Quebrada

Hip hop with laid-back head-nod swing, dusty boom-bap drums and warm sub-bass; verse rides sparse piano stabs and chopped vocal chops, pre-chorus strips to kick and bass with rising snaps, chorus hits with doubled lead and gang ad-libs on the anchor phrase. Add reversed risers into each hook, tape-stop flicks between lines, and a short break of filtered keys before the final chorus. Close-mic male vocals, intimate and raw, bright punchy mix., hip hop

Смерть з Небес
Смерть з Небес

metal,rap,rock,hip hop,edm,Мотивирующий,Депрессивный,Эмоциональный,Жесткий

隱姓埋名 詞:珊悠
隱姓埋名 詞:珊悠

rock,taiwanese

Amanhã Estarei Aí
Amanhã Estarei Aí

Techno with a driving four-on-the-floor kick, elastic synth bass, clipped hi-hat syncopation, and a bright staccato lead that lifts the chorus; verse rides on sparse kick, pulse, and vocal fragments, pre-chorus opens with filtered pads and a rising arpeggio, chorus hits with full kick-stack, wide synth hook, and gang vocal doubles; whispered ad-libs, delay throws on the anchor line, reverse swells into each drop, crisp and glossy club mix, techno

Жирнючий Напас От Матраса
Жирнючий Напас От Матраса

Hard gangsta-dubstep beat, distorted bass growls, aggressive Russian male vocals with shouted gang hooks. Verses tight and punchy over half-time drops; chorus explodes with crowd chants, snare rolls, and riser sweeps. Layered ad-libs and pitched vocal chops on the hook, with a final drop that hits harder and darker.

ぎゅうたん行くすぺ
ぎゅうたん行くすぺ

funk

Осень
Осень

female vocals,folk,pop,rap,russian folk,Меланхоличный,Темный,Депрессивный,Лиричный

Підманула підвела
Підманула підвела

reggae,dub,d&b,dancehall,jazz,blues,dubstep,violin,hip hop

Dream Girl
Dream Girl

Hyperpop x old school hip hop with future bass chops, 140 BPM bounce and crisp swing; verse rides dusty boom-bap drums and chopped candy synths, pre-chorus lifts with filtered pads and snare rolls, chorus hits on huge sidechained chords and pitched vocal hooks. Rapped verses, glossy doubled hook vocals, ad-lib stacks, glitch fills, reverse swells, and shimmering ear-candy drops. Bright, punchy, neon-wide mix., old school hip hop, hyperpop

Gol del Madrid
Gol del Madrid

Catalan pop-chant anthem with stomping four-on-the-floor rhythm, handclap-driven verses, a pre-chorus that strips to bass and crowd shouts, and a chorus that opens wide with gang vocals and brass hits; lead vocal stays close-mic in verses with shouted doubles on the hook, plus whistle rises and stadium-echo throws before each drop, bright punchy mix with a live-arena sheen.

Cam Bahçe
Cam Bahçe

Gentle acoustic pop with fingerpicked guitar at 88 BPM, steady soft pulse and warm 6/8-like sway; verse one stays intimate with sparse picked lines and room for breath, pre-chorus lifts with rising harmony and a held bass note, chorus opens into rounded stacked vocals and a singable anchor phrase. Bridge pulls back to near-whispered guitar and one fragile harmony, final chorus returns fuller with subtle hand percussion, delicate string pad, and a bright, close-mic mix with intimate vocal doubles., gentle, vocal, distinct, natural, acoustic pop

ラムネ色の涙
ラムネ色の涙

pop,folk,guitar,j-pop,synthwave,classical guitar,物憂げ,ロマンチック,20bpm

君と歩いた日々
君と歩いた日々

k-pop,j-pop

صوب السويدا
صوب السويدا

folk,violin,عرقي,حفلة

ラスボス
ラスボス

metal,speed metal,hard rock,hardcore punk,digicore,orchestral,ダーク,熱狂,喜び

Shadows in the Rain
Shadows in the Rain

old-school 2000s, deep piano, hip-hop, aggressive yet emotional storytelling

Minha Fortaleza Tartaruga
Minha Fortaleza Tartaruga

Rap with a steady mid-tempo boom-bap swing, crisp kick-snare pocket and a rubbery bass pulse; verse rides tight percussion and sparse keys, pre-chorus lifts with filtered chops and snare rolls, chorus hits with stacked gang-vocal repeats and a simple bass turnaround. Lead vocal stays close-mic and dry in verses, doubled on punchlines, with ad-lib echoes on hook words. Ear candy includes reverse swells into the hook, a short tape-stop before the second chorus, and rim-click fills between lines. Mix is punchy, warm, and upfront., rap

Força dos Três F
Força dos Três F