Songdio

菜单

Create

Music

Library

  1. Home
  2. Clone de Vidro
Clone de Vidro

Clone de Vidro

Pop-rap with female vocals, C-pop sheen and lo-fi grit over a midtempo four-on-the-floor pulse; verses ride tight half-spoken rap with brittle synth plucks and dungeon-synth drones, pre-chorus strips to kick, bass, and handclaps, chorus opens into stacked pop hooks and gang doubles. Filter sweeps, reversed chimes, and tape hiss bridge sections; bright, punchy mix with intimate close-mic verses and wide glossy hooks., rock, lo-fi, rap, pop, c-pop, female vocals

2026-09-23 17:03

Lyrics

[Verse 1] Me deram um sonho doce na palma da mão “Estuda, tira dez, não sai do padrão” Caderno limpo, sorriso de papel Mas por dentro eu via o gosto de fel Fila reta, cabeça baixa, olhar igual Vão chamando de futuro, eu chamo de sinal Querem nota, querem forma, querem meu sim Mas eu nasci pra ser voz, não cópia de mim [Pre-Chorus] E se eu falhar, eu vivo E se eu cair, eu brinco Ninguém me pega inteira Num molde tão minúsculo [Chorus] Eu não sou clone Não, não, não Eu não sou clone Sai da minha mão Eu não sou peça Pra engolir Eu sou pessoa Deixa eu existir [Verse 2] Na sala, o quadro manda, o sino faz lei “Copia, responde, decora” — eu quase cedi Mas vi no espelho uma menina cansada Com o rosto de alguém que aceitava a jaula Querem mente em fila, querem corpo em padrão Querem sonho embalado, pronto pra aprovação Mas minha voz não veste essa roupa apertada Minha alma não nasceu pra ser numerada [Pre-Chorus] E se eu gritar, eu vivo E se eu sumir, eu brilho Não me vendem a verdade Num pacote tão vazio [Chorus] Eu não sou clone Não, não, não Eu não sou clone Sai da minha mão Eu não sou peça Pra engolir Eu sou pessoa Deixa eu existir [Bridge] Se o sistema me chama de erro Eu chamo de liberdade Se o padrão fecha a porta Eu pulo a grade [Final Chorus] Eu não sou clone Não, não, não Eu não sou clone Sai da minha mão Eu não sou peça Pra engolir Eu sou pessoa Deixa eu existir

Recommended

Nawal mon amour
Nawal mon amour

Oriental French love ballad with male vocals, tender mid-tempo groove, sweeping violins, oud phrases, soft piano chords, and gentle hand percussion; verse 1 stays intimate with close-mic singing and sparse oud, pre-chorus opens with rising strings and breathy doubles, chorus blooms with full strings, rounded drum hits, and heartfelt group-style backing on the anchor phrase. Ear candy includes reversed string swells into the chorus, oud fills between lines, and a final violin lift. Warm, elegant, emotional mix with glossy mids and cinematic depth., chanson, male vocals

أغنية الروح
أغنية الروح

tambourines, and seashells. a contemplative and meditative piece., bells, and gradual echoes fading to evoke an ancient queen’s energy. percussion features light drums, a faint choir for reflection, ethereal texture. background elements include river and wind sounds, pharaonic harp, soft cello and flute create an intuitive, and delicate use of a flute, harp

Otras Mitades
Otras Mitades

flamenco,flamenco guitar,Seguro

Юрію
Юрію

pop-rock, ballad, cinematic

Squad Implacável
Squad Implacável

hip hop,rap

再び輝く (Shining Again)
再び輝く (Shining Again)

female vocals, shoegaze, inspiring, atmospheric, japanese

Жизнь как баня
Жизнь как баня

Романтичный

Аня — наша звезда
Аня — наша звезда

pop,Веселый

Silvano Resenha
Silvano Resenha

Brazilian pagode-pop with upbeat samba-funk groove, bright percussion and clapping syncopation; intro opens with a spoken-style chant, verse 1 rides tight rhythmic storytelling, chorus expands with gang vocals and repeated hook lines, verse 2 stays bouncy and conversational, final chorus lifts with extra percussion fills, tamborim flourishes, and call-and-response ad-libs. Lead vocal is warm and playful with doubled hook lines, short delay throws on key names, and a glossy, sunny mix.

From Dust To Crown
From Dust To Crown

Modern trap hip hop with half-time bounce and sharp triplet hats, 808-heavy foundation, verse one stays dark and stripped with piano stabs and tight kick patterns; pre-chorus lifts with rising pads and doubled ad-libs; chorus opens wide with stacked harmonies and a chant hook. Male vocals, close-mic and vulnerable in verses, wider doubles on the hook, delay throws on key lines, reverse swells into each chorus, crisp punchy mix with a glossy low end., motivational, emotional, male vocals, rap, deep, hip hop

黒土を駆けろ
黒土を駆けろ

J-pop/world fusion ballad with female vocals, husky lead, slow intro blooming into a hard-driving finale; verse opens sparse with piano, fingerpicked guitar, and mournful violin, then pre-chorus tightens with choral pads and tom pulses, chorus bursts into full drums, electric guitar, and symphonic strings. Voice stays close-mic and vulnerable in verses, then stacked harmonies and husky belts on the hook. Ear candy includes reversed string swells, breathy pickups, and a final lift with gang-like choir echoes. Mix is cinematic, wide, and emotionally crushing., classical, choral, lo-fi, electric, world, soul, j-pop, female vocals, violin

さよならの窓
さよならの窓

blending gentle guitar arpeggios with emotional piano chords for a nostalgic yet hopeful tone, melancholic yet uplifting, male vocals

Валюха из Успенки
Валюха из Успенки

syncopated rhythms, reggae meets dubstep, deep basslines, laid-back groove with a punchy electronic edge

З днем народження брате
З днем народження брате

qawwali,Веселый

赤心の叫び
赤心の叫び

male vocals

أبو مُحَمَّد السَّلِيل
أبو مُحَمَّد السَّلِيل

No one will wait for time
No one will wait for time

物憂げ,憂鬱,感情

那年春天
那年春天

male vocals,仙侠古风流行,交响摇滚,华语影视主题曲。空灵但有力量的女声,中速、小调。钢琴与弦乐铺底,洞箫点缀,副歌加入鼓组与电吉他,旋律宽广、有记忆点。不要戏腔、说唱或电子舞曲。凄美、深情、思念、离别、遗憾、宿命感,带有悲壮与不甘。像两个相爱的人被命运分开,明知对方不会回来,却仍然守着承诺。不是绝望哭诉,而是忍住眼泪的坚定。,92bpm

Baby Baby dance
Baby Baby dance

pop,edm,j-pop,bassline,d&b,choral,ハッピー,元気,夢見る,感情

新豐普元宮太子會
新豐普元宮太子會

male and female duet,141bpm