Songdio

菜单

Create

Music

Library

  1. Home
  2. «Останній погляд на прощання» Білявка Катерина
«Останній погляд на прощання» Білявка Катерина

«Останній погляд на прощання» Білявка Катерина

male vocals,piano,ambient,minimalism,film music,classical guitar,dubstep,rap

2026-01-09 21:43

Lyrics

Коли ми бачились в останнє, Вона лишила тільки погляд. Розачаровано безжальний , Немов холодний зимній спогад. І навіть сильного бажання- Знайти, догнати, зупинити… Вже не достатньо , бо кохання, Вона зуміла відпустити. Їй більше не потрібен дотик, Міцна , холодна сіра сталь. Залишивши мені лиш погляд, Собі забрала всю печаль. Хотів її почути поклик, Та вже запізно, минув час. Я падав у хмільну безодню, І в забутті без неї гас. Коли ми бачились в останнє, Я говорив знову і знов… «Без тебе вже нема кохання!» Ходив і марив про любов. Коли ми бачились в останнє… З очей сльоза її текла, І прохолодно посміхнувшись, Від мене, мов німа, пішла.

Recommended

Porchlight For You
Porchlight For You

Pop-rap with female vocals, fast double-time verses and a half-time chorus; verse rides sparse kick, snaps, and piano stabs, pre-chorus opens with rising pads and handclaps, chorus lands on a warm stacked hook with call-and-response ad-libs. Breathless live-style lead in verses, intimate close-mic in pre-chorus, wide doubles on the hook, whispered panned echoes on key words, reverse swells into each drop, subtle crowd-air and delay throws on the final line, bright glossy mix with punchy low end., female vocals, rap

Strange Classroom
Strange Classroom

Uplifting

Одесса у моря
Одесса у моря

Russian chanson with a swaying 6/8 seaside groove, accordion and acoustic guitar carrying the verses, and a fuller chorus with tambourine, muted brass, and gang-style backing vocals. Verse stays intimate and conversational; pre-chorus lifts with a rising accordion line; chorus opens wide and singable. Close-mic lead vocal, warm doubles on key lines, short delay throws on the title phrase, seagull-like synth accents and a soft wave wash between sections. Bright, nostalgic, and живой.

Мені здається
Мені здається

male vocals,metal,folk,rap,hip hop,Уверенный,Депрессивный,Эмоциональный,Жесткий,Лиричный

オフトゥンの歌😪
オフトゥンの歌😪

male vocals,pop,リラックス,夢見る,20bpm

In my head
In my head

Alternative rock, folk-rock , blues, 3/4, minor key of sweet longing

عشاق الهوى
عشاق الهوى

folk,violin,هادئ,رومانسي,مفرح,غريب الأطوار,انتقائي,عاطفة,غنائي,حفلة,غريب,ناعم,عاطفي

恩恩恩恩ye
恩恩恩恩ye

rap, Dark ambient soul-rap hybrid with female vocals; whispered ad-libs and breathy harmonies over detuned pads, distant choirs, and saturated sub-bass. Verses ride a slow, swung groove with crisp, tight drums and grainy textures; chorus blooms into lush reverb tails, pitched vocal layers, and a wide stereo field. Occasional glitchy echoes and reversed swells add a dreamy, magical edge while the topline stays raw, confessional, and intimate in the center of the mix., female vocals, ambient, soul

حفلة مشاعل وملاك
حفلة مشاعل وملاك

سعيد,حفلة

花如星2
花如星2

VinaHouse with hypnotic dembow-leaning percussion at high energy, late-night party momentum, and syncopated bass pulses; verse starts sparse with spoken duet lines and clipped kick-patterns, pre-chorus opens with filtered risers and rising handclaps, chorus hits with wide synth stabs, vocal chops, and call-and-response toplines. Male/female vocals trade intimate lead lines, stacked doubles on the hook, short delay throws on key phrases, reverse swells into every drop, crisp punchy mix with glossy low-end, sensual, hypnotic, spoken word, dynamic

ホロムア前進
ホロムア前進

rap

Sem mapa
Sem mapa

Indie folk at 94 BPM with fingerpicked acoustic guitars, gentle brushed percussion and warm upright bass; verse one stays intimate and sparse, verse two opens with harmonies and a low humming pad, pre-chorus lifts with suspended chords and a subtle tambourine pulse, chorus lands wide with stacked vocals and a singable melody. Bridge drops to bare guitar and voice, then final chorus returns fuller with handclaps, soft harmonies, and a fading trail of room reverb. Close-mic lead vocal, natural breath, bright but organic mix., natural, distinct, vocal, indie folk, acoustic

Своя история
Своя история

Pop-rap with punchy mid-tempo bounce, tight syncopated drums and warm bassline; verse rides sparse piano stabs and clipped percussion, pre-chorus opens with rising synth tension and stacked harmonies, chorus hits with full drums, layered doubles, and gang vocals on the hook. Short reverse swells, handclap lifts, and vocal delay throws mark transitions. Bright, modern, and forward-driving mix with a clean low end and crisp top.

Cut The Grass
Cut The Grass

rap,hip hop,Happy,Motivational,Joyful,Hype

В мыслях о тебе
В мыслях о тебе

female vocals,pop

درجات الغد
درجات الغد

cinematic pop, piano and strings, 100 BPM

شيلة بأسم لمار بنت م
شيلة بأسم لمار بنت م

male vocals

影で会おう
影で会おう

Ambient pop with medium-tempo pulse, arpeggiated synths and piano, lush reverb tails, delicate string swells, and soft sidechained pads; verse stays intimate and airy, pre-chorus opens with rising harmony layers and filtered bell textures, chorus blooms with doubled lead vocal and wide strings, bridge pulls back to piano and a lone arpeggio before the final lift. Close-mic female vocals, gentle stacked harmonies, shimmering delay throws on key phrases, glowing and cinematic mix.

圓謊
圓謊

Moody Chinese alt-pop, midtempo groove. Tight drums and dark synth bass under intimate female vocals; verses stay close and almost whispered, chorus lifts with airy pads and stacked harmonies, slight saturation on the hook for bite. Subtle guitar textures in the bridge, ending on a dry, exposed vocal repeat of the title line.

雨音の下で
雨音の下で

male vocals, peaceful, japanese, ballad