Songdio

菜单

Create

Music

Library

  1. Home
  2. 何気ない日常
何気ない日常

何気ない日常

2025-12-03 22:22

Lyrics

おはよう 何気ない日常の始まり 今日もいつも通り眠い目こすり 寝癖に笑い 寝相を想像 そんな日常 学校・仕事・保育園 みんなそれぞれ生きていく 太陽・お花・鳥たちも みんなそれぞれ生きていく 今日も地球は回っている ありがとう 人と人とのつながりを 学んで生きて 自然と笑顔 ごめんなさい 人と人とのつながりを 大事に生きて 自然と涙 こんな日常 何気ない日常 当たり前なんかじゃない 昨日と同じ今日はない 明日と同じ今日はない 何気ない日常が 幸せに変わる おやすみなさい また明日

Recommended

星待つ灯り
星待つ灯り

male vocals,rap

Stepping Into The Light
Stepping Into The Light

guitar,piano

Rise up maiden in love
Rise up maiden in love

female vocals,pop,rock,d&b,electric guitar,j-pop,bassline,future bass,ハッピー,夢見る,喜び

5ぽけすき
5ぽけすき

female vocals,138bpm

Muñeca Tomasa
Muñeca Tomasa

Feliz,Motivador,Melancólico

Beneath the Porcelain
Beneath the Porcelain

musical

가시밭에 피는 거짓
가시밭에 피는 거짓

Dark K-pop track with tense synth bass and sharp, syncopated drums. Female vocals, breathy in the verses with tight Korean phrasing; hook explodes with stacked harmonies and a pitched-down ad-lib shadow. Pre-chorus pulls the groove back with filtered pads, then chorus hits wide and aggressive. Subtle distorted vocal chops in the background, cinematic risers into a crushing final hook., fake

(ボーカル) NYCの夜に
(ボーカル) NYCの夜に

male vocals,hip hop,rap,145bpm

I Only Have Myself to Blame
I Only Have Myself to Blame

فخر وسامي
فخر وسامي

male vocals,99bpm

扉の向こう
扉の向こう

Dark soul-house with ambient dub and drum-and-bass pulse, taiko accents and grunge electric guitar swells; verse rides sparse kick, sub, and distant texture, pre-chorus strips to voice, taiko, and rising noise, chorus opens with a driving four-on-the-floor lift and stacked female doubles. Breathy close-mic verses, strong emotional belt in choruses, pitch-warped echoes on key words, reversed swells into each lift, shimmering chimes and sidechain bloom. Wide, cinematic, mystical mix with a sharp low end., electric, soul, world, grunge, dub, ambient, female vocals

سعاد يا نور
سعاد يا نور

Arabic pop ballad with a tender mid-tempo sway, soft hand percussion and warm keys carrying the verses; pre-chorus opens into layered strings and suspended chords, chorus lands on a wide singable melody with doubled lead and airy group harmonies. Add reverse swells into each lift, a gentle clap pickup, and a final half-time push. Intimate close-mic mix, polished and glowing.

Папа спасибо
Папа спасибо

Pop ballad with mid-tempo gentle pulse, warm acoustic guitar and soft piano foundation; verse stays intimate and conversational, pre-chorus lifts with rising strings and layered harmonies, chorus opens wide with fuller drums and a singable family-chant feel. Lead vocal is close-mic and tender with light doubles on key lines, small delay throws on the hook, and a final chorus with stacked backing vocals. Ear candy: soft string swell into the chorus, subtle claps on the second verse, and a breathy pause before the last hook. Mix is warm, polished, and emotionally forward.

Натали С Днем Рождения
Натали С Днем Рождения

pop

もっと壊れて
もっと壊れて

Hyper pop with skittering glitch percussion, glossy four-on-the-floor pulse, and bright sawtooth stabs; verse rides clipped synth chatter and tight rhythmic syllables, pre-chorus strips to filtered pads and a rising vocal stack, chorus hits with huge octave doubles and candy-coated hooks. Use pitch-shifted ad-libs, reverse swells into each drop, sparkle FX between phrases, and a wide, ultra-bright polished mix with sharp low-end snap., pop

キューズモールで待ちあわせ
キューズモールで待ちあわせ

Bouncy 80s city pop groove with bright rhythm guitar, synth brass stabs, and silky electric piano; male and female vocals trading lines and tight harmonies. Verses ride a mid-tempo pocket with slap bass and crisp rimshot, chorus widens with stacked hooks and airy pads. Short synth lead in the bridge, then a final key-lift chorus to peak the sparkle.

感情線 詞:珊悠
感情線 詞:珊悠

温柔点儿跩!
温柔点儿跩!

Dark pop with female vocals, mid-tempo swung drum machine and rubbery sub-bass; verse stays sparse with tense plucks and clipped percussion, pre-chorus opens with filtered pads and a rising pulse, chorus hits with stacked harmonies and a snapped clap pattern. Breathy lead, doubled hook lines, airy ad-libs, delay throws on the final word. Ear candy: reverse swells into each chorus, tiny glitch ticks between phrases, shimmering lift on the bridge. Mix is glossy, dark, and intimate with punchy low end., female vocals

Sua Morada
Sua Morada

Contemporary worship ballad in a slow 6/8 sway with intimate piano arpeggios, warm pad swells, soft kick and hand percussion; verse stays sparse and close-mic, pre-chorus opens with rising strings and breathy harmony lift, chorus blooms with stacked female lead and gentle gang vocals, bridge strips back to piano and voice before a final chorus with fuller drums and glowing chorus pad. Reverb tail is long but clean, with subtle reversed swells, soft chime transitions, and a wide, radiant mix

Miss Brenda Ako Ito
Miss Brenda Ako Ito

Tagalog pop ballad with gentle mid-tempo groove, soft acoustic guitar and warm keys; verse stays intimate and conversational, pre-chorus opens with rising harmony and light percussion, chorus lifts with stacked vocal doubles and a short singback hook. Add a few airy delay throws on the name line, tender gang vocals on the final plea, and a bright, polished mix that feels close-mic and heartfelt.