Songdio

菜单

Create

Music

Library

  1. Home
  2. 你看到的不是全部的我
你看到的不是全部的我

你看到的不是全部的我

male and female duet,pop,chinese hip hop,emo,cinematic

2026-08-26 06:54

Lyrics

【主歌一】 你看到的我 好像永遠都不在乎 面對那些話 總是笑著說沒關係就好 你以為我很堅強 什麼傷都能自己扛 卻不知道夜深的時候 那些話還會在心裡迴盪 【預副歌】 我不是沒有眼淚 只是習慣藏在黑夜 不是所有委屈 都一定要說給誰了解 【副歌】 你所看到的我 並不是真正的我 我也會痛 也會難過 也曾被一句話刺破心口 面對詆毀和謾罵 我不是完全不在乎 只是走到最後才明白 沒必要為了別人責問自己 我可以沉默 也可以選擇放過 不是我輸了 而是我不想再被你左右 【主歌二】 有些人只看見表面 就急著替我寫下答案 卻沒走過我的路 又怎麼懂我一路多難 我也曾懷疑自己 是不是哪裡真的不好 為了別人的一句話 把自己困在責備裡太久 【預副歌】 後來我終於明白 不是每個人都值得交代 不是所有聲音 都值得住進我的腦海 【副歌】 你所看到的我 並不是真正的我 我也會痛 也會難過 也曾被一句話刺破心口 面對詆毀和謾罵 我不是完全不在乎 只是走到最後才明白 沒必要為了別人責問自己 我可以沉默 也可以選擇放過 不是我輸了 而是我不想再被你左右 【橋段】 如果你只願意看見 你想看見的那一面 那就讓你這樣認為吧 我不再拼命解釋一切 我知道我是誰 也知道自己走過什麼 那些沒人看見的眼淚 我自己懂 就已經足夠 【最後副歌】 你所看到的我 從來都不是全部的我 我也會累 也會脆弱 只是學會不再向世界低頭 就算還有人謾罵 就算還有人不懂 我也不會再因為誰 懷疑自己是不是做錯 我會帶著傷口 繼續走自己的路 因為我終於懂了 別人的眼光 不該決定我的人生 【尾奏】 我不是不在乎 我只是學會了放過自己 我不是沒有痛 只是這一次—— 我選擇不再責怪自己。

Recommended

永遠の雨の中で
永遠の雨の中で

male vocals,symphonic metal,rock

墨染江山詩酒會 💎無敵小抓出品🕹️
墨染江山詩酒會 💎無敵小抓出品🕹️

Why You Went Back Out With Me
Why You Went Back Out With Me

layering catchy hooks over pulsing bass and shimmering keys, male vocals, synth-driven with male vocals, pop

Reggae love
Reggae love

male vocals,reggae,soul,guitar,Joyeux,Rêveur,Passionné,Magique,Doux,53bpm

La notte mai inviata
La notte mai inviata

alternative R&B, intimate vocals, Rhodes piano, 82 BPM

Sen Pırlantasın
Sen Pırlantasın

moombahton

私だけの色
私だけの色

Melodic trap pop with a 144 BPM half-time bounce, smooth 808 bass, delicate music-box bells, and tight drum pockets; verse rides intimate melodic rap with sparse percussion and filtered ad-libs, pre-chorus lifts on stacked harmony and rising snare pressure, chorus opens into a catchy sung hook with doubled lead and short gang echoes. Bridge strips to bass and bells, then final chorus returns wider and warmer. Glossy but close-mic, polished low end, airy top, smooth, distinct, rap, pop, natural

布袋港風(動)
布袋港風(動)

male and female duet,pop,歡快,喜悅

Война Гнева
Война Гнева

Symphonic blackened epic metal with glacial tempo shifts, blastbeat violence, and martial double-kick surges; intro opens on abyssal drone, тревожный mixed choir, and distant war horns, verse storms with serrated guitars and timpani, pre-chorus narrows to male choir and bass pulse, chorus crashes with full orchestra, gang chants, and burning brass. Mid-song adds dragon shrieks, string tremolo, and huge reverb tails; final coda turns mournful with vast female choir, funeral bells, and a last hammered drum hit., metal

Dia Bonito
Dia Bonito

Brazilian pop with bouncy mid-tempo groove, light syncopated percussion and warm acoustic guitar; verse keeps it conversational and close-mic, pre-chorus lifts with stacked harmonies and a filtered clap pattern, chorus opens with bright gang vocals and a sticky repeated anchor. Add small reverse swells into each section change, hand percussion fills after key lines, and a crisp polished mix that feels sunny and intimate.

Respira a Graça
Respira a Graça

Modern worship-pop with bright electric guitars, warm pads, and steady mid‑tempo drums; verses stay intimate with sparse keys and subtle reverb, chorus lifts with stacked gang vocals and wide synths. Male vocals soaring in the hook, dynamic build into a bridge that drops to almost a cappella before a final, full-band anthem., worship

Penjilat Berbusa
Penjilat Berbusa

punchy, dark, bass-heavy with a driving beat and percussive vocal rhythm

舉起的那一剎那
舉起的那一剎那

High-energy workout anthem with driving trap drums, distorted bass, and aggressive synth brass; male vocals spitting tight, clipped lines in the verses, then opening into a chant-style gang-vocal chorus. Short hype risers and crowd shouts push into each hook, ending with a triumphant half-time drop that feels like stepping onto the podium.

ポイズン主流
ポイズン主流

Alternative rock with driving mid-tempo stomp, crunchy palm-muted guitars, punchy snare, and a singalong chorus built for shouting; verse rides tight riffs and dry bass, pre-chorus opens with rising toms and gang vocal lifts, chorus hits with stacked doubles and big open chords, bridge strips to half-time before the final lift. Lead vocal stays close-mic and gritty, with shouted harmony stabs, delay throws on the hook, and a few crowd-ready ad-libs. Add vinyl crackle at the intro, a reverse swell into the chorus, and a final cymbal wash over a bright, punchy mix.

バキバキ報告
バキバキ報告

J-pop anthem with driving four-on-the-floor kick, springy bassline, and punchy guitar chops; verses stay tight and conversational, pre-chorus lifts with snare rolls and stacked "oh" harmonies, chorus opens wide with gang vocals and a chantable repeated hook. Vocal is close-mic in verses, doubled on the hook, with short delay throws on the last word of each chorus line. Add risers into the chorus, a brief drum drop before the final lift, and a bright polished mix with crisp low end and shiny top.

Ta Và Đêm
Ta Và Đêm

male vocals,guitar,rock,blues,country

Sing es zurück
Sing es zurück

Dance pop / EDM with a driving 124 BPM four-on-the-floor kick, punchy clap layers, and euphoric synth lifts; verse 1 stays tight with close-mic anxious lead, pre-chorus opens with rising stacks and snare build, chorus bursts wide with bold doubled vocals and crowd-like gang echoes on the anchor line. Verse 2 adds brighter arps and pulsing bass, bridge strips to half-time pads and a trembling vocal, final chorus returns bigger with octave harmonies, delay throws, and a triumphant last lift. Bright, glossy, stadium-sized mix, edm, distinct, dance pop, natural

No Meio do Deserto
No Meio do Deserto

gospel,rock,Motivacional,Melancólico

Лицемерное чудовище
Лицемерное чудовище

Мотивирующий,Темный,Депрессивный,Эмоциональный,Жесткий

Мама, Папа и Хоккей
Мама, Папа и Хоккей

Upbeat ska-pop with bright brass hits, bouncy bass, and tight drums. Verses stay punchy and comedic, with quick-stop guitars; chorus explodes with gang shouts and claps. Male vocals, playful ad-libs, and a goofy halftime bridge for crowd sing-along.