Songdio

菜单

Create

Music

Library

  1. Home
  2. 君に一目惚れ
君に一目惚れ

君に一目惚れ

pop,ハッピー,夢見る,恋愛ソング

2026-09-05 00:56

Lyrics

君に一目惚れ 一目見た時から 愛おしくて 君が気になる瞬間 可愛い顔立ち いつも暇ってあたしに言う 私が暇だったら 一緒に話しているのに 君の隣にいるのに 好きって聞かれて 首を振る あー素直になれない自分がいる 本当は好きって言ってみたいのに 違うって言ってしまったんだ 本当はAh君に一目惚れ 初めて出会ったあの日から 何度も通る度に驚きあって わざとなんじゃ無いかって 2人して思っていて そんな時間が楽しくて 毎日会いたいと思う いつかすいぞっかんに行きたいんだ 叶わない恋だけど 今までとは違う恋 ちゃんと出会って恋をした 君に出会えて良かった

Recommended

黑水河,我故鄉的河
黑水河,我故鄉的河

guitar,浪漫

Natalia In Every Language
Natalia In Every Language

metal

もどかしい二人
もどかしい二人

female vocals,j-pop,70bpm

龍緣媽慈悲
龍緣媽慈悲

folk,喜悅,情感,抒情,柔和,taiwanese

Сын, ты наш герой!
Сын, ты наш герой!

female vocals,pop,Воодушевляющий,Праздничный,20bpm

耳かっぽじって聞け
耳かっぽじって聞け

rap, hard-hitting rap with a fusion of rock elements, intense male vocals, aggressive beats, and dark, emotional undertones. layers of distorted guitars complement the rhythmic flow, creating an atmosphere of raw passion and rebellion., rock, male vocals, hip hop

Glass On My Sleeve
Glass On My Sleeve

Pop ballad with mid-tempo pulse, swung drums and a tight bassline; verse stays close-mic with sparse piano and finger snaps, pre-chorus opens with rising strings and layered harmony lifts, chorus lands big with full drums and an earworm vocal stack. Male vocals with doubled lead, airy ad-libs, and a short delay throw on the hook words. Reversed swells, subtle chimes, and a final lift into the last chorus. Bright, polished, intimate-to-cinematic mix., male vocals

Radio Sunrise
Radio Sunrise

Neo Soul / Funk with a laid-back 102 BPM groove, syncopated bass pockets, Rhodes chords, and tight live drums; verse scenes stay intimate and detailed, pre-chorus lifts with clipped harmony stacks, and the chorus opens wide with a chantable hook. Rich female lead vocal with silky doubles, ad-lib swells, and short delay throws on key phrases. Vinyl crackle intro, filtered percussion rise into the chorus, Rhodes fill turnarounds, and a warm punchy mix with glossy low end., distinct, soul, soundtrack, natural, rich, funk, neo soul

墨染長安詩鬥魂 詞:無敵小抓
墨染長安詩鬥魂 詞:無敵小抓

邪魔だ
邪魔だ

male vocals

政府在畫大餅
政府在畫大餅

electronic,piano,edm,dubstep,d&b

カラスよ俺の車にフンをするな
カラスよ俺の車にフンをするな

Upbeat rock-pop with male vocals, tight drums and crunchy rhythm guitars; verses stay talky and comedic, chorus explodes with gang shouts and call‑and‑response; brief half‑time bridge with tambourine and handclaps before a final, shout‑along hook.

Trimi Pëllumb Pilinç
Trimi Pëllumb Pilinç

male and female duet,rap,country,edm,Selbstbewusst,Erhebend,Ethnisch,Motivierend,106bpm

夜の梅田ラプソディ
夜の梅田ラプソディ

Glossy 80s city pop groove with warm chorus-drenched guitars, rubbery bass, and soft synth pads; drums keep a steady mid-tempo shuffle. Vocal floats cool and close, female vocals with airy doubles on the hook. Pre-chorus lifts with bright keys and rising bass; chorus widens into lush backing stacks and subtle brass stabs, then drops back to an intimate, late-night vibe.

登顶那一刻
登顶那一刻

Anthemic pop with steady marching drums and strummed acoustic guitar, 96 BPM, building from sparse verse to wide chorus; verse walks on fingerpicked guitar and tom pulse, pre-chorus lifts with snare rolls and rising harmonies, chorus opens into gang vocals and soaring lead doubles. Airy risers, wind-chime accents, and a final cymbal swell frame the peak. Bright, expansive, cinematic mix.

يا أحمد نور العين
يا أحمد نور العين

三時のまぶた
三時のまぶた

Japanese alt-pop ballad with a slow 74 BPM pulse and gently swung kick-snare; verse stays sparse with plucked electric guitar, soft sub pulse, and room noise, pre-chorus rises on filtered keys and breathy doubles, chorus opens with stacked harmonies and a short vocal hook. Whispery close-mic lead, wider doubles on key lines, delay throws on the last word of each chorus. Vinyl crackle, reversed piano swells, and a chiming lift into the bridge. Intimate, nocturnal, and polished with a cool glossy mix., sleep

紡いでゆく日々
紡いでゆく日々

female vocals,pop,やる気

イタズラばかり 我が息子よ
イタズラばかり 我が息子よ

rock,punk rock

Or
Or

Soft indie-pop ballad at 72 BPM, female vocals in E♭, close-mic and breathy. Minimal piano and warm pad foundation at first; subtle rim-clicks and muted bass ease in under Verse 2. Chorus opens gently with doubled vocals and a distant guitar swell, keeping everything intimate and slightly fragile. Reverb is short and glassy, letting the sadness glow inside an otherwise bright, airy mix.