Songdio

菜单

Create

Music

Library

  1. Home
  2. 涙
涙

涙

male vocals,ambient,rap,reggae,自信,やる気,元気,感情,ハッピー

2026-05-23 07:47

Lyrics

「大丈夫だよ」って声が 少しだけ胸を温める 笑えない夜の中でも そっと寄り添う灯りみたい 誰かと比べるたびに 苦しくなる日もあるけど “明日なんて怖いだけ” そんな時は無理しなくていい 心の奥に残る 小さな希望を抱きしめて ゆっくりでいい そのままでいい “When it gets too hard, it’s okay to cry.” “It’s okay to cry when the pain feels too much.”歩いていこう 優しい未来を迎えにいこう I still believe in your smile 壊れそうな日々でも 暗い夜空の中でも 星は静かに輝いてる “もうダメだ”って思う時ほど 明日はそばで待ってるから ネガティブな気持ちばかり 浮かんでしまう夜だって 「頑張れ」が痛い日は 少し休んでもいいんだよ 強がって笑うよりも 素直な涙を流せばいい 本当は寂しかったね ちゃんと気づいているから 焦らなくても大丈夫 時間は優しく流れる 一歩ずつでも 前を向けるよ “When it gets too hard, it’s okay to cry.” “It’s okay to cry when the pain feels too much.” それでも未来へ歩いていこう Don’t worry, you’re not alone 涙は心の声だから 今はまだ不安でも 朝日は必ず昇ってくる “生きててよかった”って 笑える日がきっと来るよ 泣きたいだけ泣こうよ 涙の向こうへ歩いていこう When it gets too hard, it’s okay to cry.” “It’s okay to cry when the pain feels too much.” それでも未来へ歩いていこう 未来はちゃんと待ってる 今はまだ辛くても これから先は変わっていく 涙の数だけきっと 優しく強くなれるから 泣きたい時は泣こうよ 涙の向こうへ歩いていこう 優しい未来を迎えにいこう 壊れそうな日々でも “When it gets too hard, it’s okay to cry.” “It’s okay to cry when the pain feels too much.”歩いていこう 優しい未来を迎えにいこう When it gets too hard, it’s okay to cry.” “It’s okay to cry when the pain feels too much.” それでも未来へ歩いていこう

Recommended

One Step Closer
One Step Closer

pop,d&b,funk,reggae,Motivational,Happy,Joyful,Confident,Uplifting

عيلتي حسن وعائشة
عيلتي حسن وعائشة

Warm acoustic pop duet, male & female vocals trading lines. Light percussion, fingerpicked guitar, and soft piano pads. Verses stay intimate and conversational; chorus blossoms with stacked harmonies and a subtle bass swell. Short bridge with call-and-response ad-libs before a final, uplifting hook repeat.

さあなのクッキング
さあなのクッキング

Jesus Veio Nos Buscar
Jesus Veio Nos Buscar

male vocals,metal,rock,classical

不急著給答案
不急著給答案

male and female duet,r&b,情感,抒情

Бодя Каблук
Бодя Каблук

Ukrainian pop-rap with bouncy mid-tempo swing, tight kick-snare groove, playful bassline, verse pockets that stay sparse then a pre-chorus with handclaps and rising synth, chorus opens wide with gang shouts on the name. Lead vocal is close-mic and cheeky with doubled hook lines, little delay throws on punch words, and quick turnarounds with reversed swells. Bright, punchy mix with a glossy club finish.

Хард Транс
Хард Транс

male vocals,hard trance,Лиричный,80bpm

Desert Moonlight
Desert Moonlight

rhythmic, percussive with rich instrumental layers and an ethereal vocal line, world music

眠りに落ちてゆく
眠りに落ちてゆく

male vocals,pop,piano

追い風の名前
追い風の名前

male vocals

ちゃすけのうた
ちゃすけのうた

ハッピーでポップな雰囲気、明るいシンセと軽快なリズムが特徴的。アコースティックギターで温かみをプラスし、遊び心のあるメロディが耳に残る仕上がり。, pop

ひとりきりのクリスマス
ひとりきりのクリスマス

Warm J-pop ballad with gentle piano and soft strings, subtle brush kit. Female vocals, intimate and close in the verses; chorus lifts with wider reverb, simple bell chimes, and a supportive bass swell. Second half adds light backing “ooh”s, then strips back to piano and voice for the final line.

سندي نور عيوني
سندي نور عيوني

male vocals,guitar,سعيد

天の音色かなたまで
天の音色かなたまで

female vocals,190bpm

Braunkaaaack
Braunkaaaack

German pop with bouncy four-on-the-floor, clappy offbeats, playful synth stabs, tight bass bounce, verse keeps it cheeky and light, pre-chorus strips to handclaps and rising vocal stacks, chorus hits with gang vocals on the title phrase and a bright hook synth; little ear-candy fills between lines, quick risers into the hook, crisp shiny mix, male vocals

砂糖菓子の予感
砂糖菓子の予感

Japanese pop with female vocals, bouncy mid-tempo four-on-the-floor and playful handclaps; verse glides on music-box plucks and tucked-in bass, pre-chorus lifts with filtered strings and sparkling bell runs, chorus blooms with stacked harmonies, bright piano, and cheeky call-and-response. Use glittery ear-candy fills, breathy doubles, and a wide glossy mix that feels sweet, airy, and romantic., female vocals

ピュア恋愛
ピュア恋愛

female vocals,electronic,ダーク,憂鬱,奇妙

Солнце и Ялта на двоих
Солнце и Ялта на двоих

Pop ballad with slow atmospheric piano, gentle brushed percussion, warm bass swells, verse built intimate and close-mic, pre-chorus opens with rising pads and restrained harmony, chorus blooms with stacked vocal doubles and a soft string lift, bridge strips back to piano and a heartbeat kick before final chorus; delicate delay throws on the hook, tender and luminous mix

守る強さ
守る強さ

male vocals, fast-paced