七不思議の少年ver.2

male vocals,j-pop,ダーク,夢見る,奇妙

2026-08-22 05:27

Lyrics

[Intro] （もういいかい）まあだだよ（もういいかい）まあだだよ（もういいかい） ………。 [Verse 1] 法螺（ほら）吹きが唱えた　噂話嘘かも知れぬ　与太話（よたばなし）一つ　人体模型が追い縋り二つ　終わらぬ黄泉の無限回廊三つ　静かな偉人のart eyes 好奇心から飛び込んだある少年達の過ち譚 [Pre-Chorus 1] そんな簡単なアイロニーなんて無いのに　伽藍（がらん）のランドリー目を背けたくなるメモリー dollが蠢く soulが揺らめく goalはいまだ見えないねえ？ [Chorus 1] 不気味なんだって不可思議な七不思議こんな世界じゃもう楽しめないや法螺吹きが辿った行く末は見飽きた廊下をただぐるぐるぐるぐる廻る [Bridge 1] （もし）（もし）「もしもし？」 [Verse 2] 法螺吹きが唱えた　噂話もう聴こえない　昔話四つ　赤いスカートが閃いて五つ　無理矢理参加の隠れ鬼六つ　止まぬピアノのrhapsody 猜疑心から逃げ出したある青年Aの過ち譚 [Pre-Chorus 2] そんな単純な輪舞曲（ロンド）に狂った温度に　並んだアイボリー無機質な目が追うメロディー road果てし無く boat戻らない boyはまだ帰らないねえ？ [Chorus 2] 不気味なんだって不可逆な七不思議こんな世界じゃもう長く居れないや好奇心に殺された少年は逃げ水に飛び込んでただただ思い知る [Bridge 2] ah_ah_ah_ [Bridge 3] 法螺吹きが唱えた　噂話今となっては　御伽噺（おとぎばなし）七つ　もう戻れない少年 [Outro 1] （もういいかい）まあだだよ（もういいかい）まあだだよ（もういいかい）もういいよ [Outro 2] もういいの？

Festive Japanese pop ballad with female vocals, mid-tempo four-on-the-floor pulse and hand percussion; verse stays intimate with acoustic piano and glockenspiel, pre-chorus lifts on rising strings and claps, chorus blooms with stacked harmonies and singalong gang doubles. Use soft delay throws on key phrases, a warm bell shimmer between lines, and a brief chime swell before the final chorus. Bright, tender, and cinematic with a close-mic vocal sheen., female vocals

Poète, le soir approche - Rabindranath Tagore (1861 - 1941)

classical,world,Éclectique,Émotion,Doux,experimental

Ghanem Sharaf

Dancehall-reggae with a bouncy midtempo riddim, skanking guitar chops and warm sub-bass; verse rides a laid-back rap pocket, pre-chorus strips to hand drums and vocal chants, chorus opens with gang hooks and a singable call-and-response. Male vocals with double-tracked punch lines, playful ad-libs, and short delay throws on the name. Ear candy: reversed swell into the chorus, rimshot fills, and a snoring SFX-style vocal riff. Bright, chunky, and party-loud mix., playful, dancehall, reggae, male vocals, rap, happy, world

سمره يافعيه

Yemeni folk-pop with soaring oud phrases, rababa lead lines, and a steady handclap-and-daf rhythm; verse stays intimate and driving, pre-chorus opens with rhythmic call phrases, chorus lands broad and triumphant with group doubles. Vocal is warm and proud with tight doubles on the hook, a few improvised ad-libs, and short echo throws on key words. Ear candy includes a rebab slide into the chorus, a drum fill before each lift, and a lifted instrumental break after the second chorus. Bright, earthy mix with a festive live-room feel.

画面の向こうで

Japanese epic pop-rock with fast driving 4-on-the-floor drums, soaring guitar layers, cinematic tom hits, and a chantable crowd-ready groove; intro hooks fast with a sudden lift, verse stays tense and propulsive, pre-chorus opens into rising harmonies, chorus hits huge with stacked doubles and gang shouts. Male vocals with wide lead doubles, falsetto peaks, breathy breaks, and ad-lib calls. Risers, reverse cymbals, claps, and final-chorus key lift. Bright, explosive, polished mix.