Songdio

菜单

Create

Music

Library

  1. Home
  2. نشامى الأردن
نشامى الأردن

نشامى الأردن

Anthemic stadium chant with heavy drums, stomps, and crowd claps; male vocals in a call-and-response pattern, verses tight and rhythmic, chorus wide with stacked gang vocals and long held notes; brass stabs and low synths add weight as energy builds from march-like verses to an explosive final hook.

2026-03-18 13:10

Lyrics

[Verse 1] من عمّان للملعب صوتنا عالي قوي الخصم خايف منّا عارف إن الفوز إلنا [Chorus] يا نشامى الأردن احنا فوق دايمًا في الملعب نار ما حد يقدر علينا الراية عالية الأحمر والأبيض يلمع كل هدف قصتنا كل فوز دايمًا يُحكى (هيه!) [Verse 2] إسم البلد في القلب نكتبه عالجبين كل عرق عالأرض قسم نرجع بالثمين [Chorus] يا نشامى الأردن احنا فوق دايمًا في الملعب نار ما حد يقدر علينا الراية عالية الأحمر والأبيض يلمع كل هدف قصتنا كل فوز دايمًا يُحكى (يا الأردن!)

Recommended

ወይ ወላይታ
ወይ ወላይታ

afrobeat,Party,Lyrical,Joyful,Uplifting

透明
透明

Airy dream-pop with female vocals over soft mid-tempo groove, pillowy synth pads, and shimmering arpeggiated keys. Verse sits intimate and close with gentle side-chain swells; chorus blooms wide with lush reverb tails, sparkly top-end delays, and layered oohs. Subtle chorus on the lead gives a glassy texture, bridge strips back to almost just vocal and pad before a final, brighter hook.

O型男子のラジオ
O型男子のラジオ

rap, Hype Japanese hip hop with male vocals; gritty drum groove and deep bass, chopped horn stabs and percussive piano hits, hook explodes with gang shout doubles and short delays; verses ride a swung pocket, occasional tape-stop drops before the chorus for extra impact, final hook stacks ad-libs and octave vocals for a fired-up battle climax, hip hop, male vocals

Матрасик Саня
Матрасик Саня

male vocals, rhythmic, rap, reggae, laid-back groove

إلى كرم وعلي… من مام
إلى كرم وعلي… من مام

female vocals,cinematic

ザワールド
ザワールド

Dark cinematic J-rock with male vocals; tense palm-muted guitars over pulsing bass in verses, then erupting into wide, distorted power chords in the chorus. Clock-tick percussion and low synth swells build an ominous, time-freezing atmosphere; drums switch from tight, syncopated grooves to half-time stomps. Big, echoing gang shouts on the hook, with a soaring lead vocal that cuts through heavy reverb.

Güneş Doğsa Ne Yazar
Güneş Doğsa Ne Yazar

acoustic, melancholic, introspective with deep vocal tones supported by a warm guitar riff and subtle string arrangements

Следы помады на шее
Следы помады на шее

male vocals,reggae,dubstep,deep house

夾到妳就回家
夾到妳就回家

funk, Greasy Taipei street-funk groove, mid‑tempo bassline popping under crisp drums and clav stabs. Male vocals with playful swagger, call‑and‑response gang shouts on the hook, short talkbox ad-libs, and a mini breakdown where the bass and vocal ride alone before the last chorus hits harder with stacked harmonies.

Москва Ночь
Москва Ночь

pop, electronic, atmospheric with a pulsing rhythm and layered synth textures

Для самого лучшего брата
Для самого лучшего брата

веселый, быстрые ударные, синтезаторы с фанковым оттенком, энергичный, rap, ритмичный; бит с мощным басом

貴様III
貴様III

レンタとレイナのキス未満
レンタとレイナのキス未満

pop

ウソツキ迷宮-2
ウソツキ迷宮-2

electropop,progressive rock,bassline,ダーク,精神的,奇妙,物憂げ,ソフト,気まぐれ,夢見る,ロマンチック,憂鬱

時を越えて、友よ再び
時を越えて、友よ再び

酔いしれた心
酔いしれた心

感情

遅いライン
遅いライン

rap,hip hop,soul,country,jazz

Грустный мальчик и ты
Грустный мальчик и ты

rock,rap,hip hop,Мотивирующий,Меланхоличный

貴様Ⅵ
貴様Ⅵ

Dark, tense J-rock with male vocals; palm-muted guitars in the verses, tom-heavy drums and distorted bass building under a rising pre-chorus. Chorus explodes with wide power chords and octave leads, vocals doubling the hook. Brief half-time breakdown in the bridge with whispered lines before the final, shouted refrain.

午前三時のお母さん
午前三時のお母さん

憂鬱